From the moment of the emergence on the earth people used the natural tool — vocal chords and lungs to communicate with each other not only by means of speech, but also by means of singing. It is possible to imagine that in a protogenic condition the song was — and, possibly, never ceased to be — only word continuation. The person sang, wishing to express the inexpressible — the pleasure, a grief, to give a rhythm to the work or simply to continue silence, to deck it suddenly arisen sense of beauty. The first documentary certificates have appeared only while the song was included into church. It is very possible that priests borrowed a lot of things from national repertoire; thanks to the uniting power the church strongly influenced song evolution, favoring to continuous crossing in it religious and secular elements. In a bosom of church there were the students speaking and singing in Latin organized in gangs голиаров who, despite the monastic attire, often undermined trust to episcopal ордонансам. Belonging to churchmen, they nevertheless willingly sang on Latin about terrestrial pleasures. Goliara бродяжили from Seine to Loire, from Loire to Garonne, singing on motive of "Dies irae" ("Day of anger") not of God's glory, not lives sacred, and terrestrial pleasures, wine and love. Minstrels became the first professional singers; the former jugglers have based in 1331 the corporation under the protection of St. Julien. "… At zhonglersky schools songs about acts" (chansons de geste) — songs about Guillaume Oranskom, about the rebelled barons were created ", — writes to Gui Erisman. — Such is an origin of troubadours and trouveres which can be united as usual the name of trouveres ("hunters"). Вот это подойдет?
